Why are there so many medieval paintings of people battling large snails?

I never knew that giant snails featured so prominently in medieval paintings, but now that I do, this is the first question on my mind. They do, it turns out.  According to Sarah J. Biggs of the British Library, “images of armed knights fighting snails are common” in 13th and 14th century illuminated manuscripts, “especially in marginalia.”  Check out a sampling below:

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One theory about the snails, Biggs goes on, is that they represent the Resurrection; others suggest they are a symbol of the Lombards, a group “vilified in the early middle ages for treasonous behaviour”;  still others have described the ‘knight v snail’ motif as “a representation of the struggles of the poor against an oppressive aristocracy, a straightforward statement of the snail’s troublesome reputation as a garden pest, a commentary on social climbers, or even as a saucy symbol of female sexuality.”

As /r/AskHistorians puts it, in other words, there are “as many explanations as there are scholars”; fundamentally, we just really don’t know. Redditor /u/TheAlaskan relates another plausible account:

“I’m partial to the explanation of Medievalist Lisa Spangenberg, who suggests that the snail is ‘a reminder of the inevitability of death.’
To understand that reference, you have to refer to Psalm 58 (Wycliffe translation) . We’re looking here at verses 7-8:
7 They shall come to nought, as water running away; he bent his bow, till they be made sick. (They shall come to nothing, like water running forth; and when they go to bend their bows, they shall be made feeble, or weak.)
8 As wax that floateth away, they shall be taken away; fire fell above, and they saw not the sun. (Like a snail that melteth away into slime, they shall be taken away; like a dead-born child, they shall not see the sun.)
Like the snail, even the best-armored knight will melt away.”

Fascinating and bizarre stuff.

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Why do we think Humpty Dumpty is an egg?

Humpty Dumpty sits on a wall, prior to his fall.

Image via Wikipedia

My girlfriend pointed out this interesting tidbit that was posted on Yahoo! today. We always visualize Humpty Dumpty as an egg, and yet nowhere in the rhyme itself is he described as such. Yahoo! Answers provides some insight:

Indeed the rhyme


Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
All the king’s horses and all the king’s men
Couldn’t put Humpty together again

….does not tell us at all that
Humpty was an egg. However its etymology has a number of variations,
and it was in Lewis Carroll’s 1871 book “Through the Looking Glass”
(that used this rhyme), where the book’s illustrator John Tenniel first
drew Humpty as an egg, sitting on a wall.


An 1810 version of the rhyme also does not explicitly state that the
subject is an egg because it was originally posed as the riddle as such:


Humpty Dumpty sate on a wall,
Humpty Dumpty had a great fall;
Threescore men and threescore more,
Cannot place Humpty dumpty as he was before.


Furthermore, “humpty dumpty” was an eighteenth-century reduplicative
(linguistic root) slang for a short and clumsy person.

Pictured is Tenniel’s illustration from Through the Looking Glass. Fascinating stuff – it’s funny how this sort of thing happens.

Interestingly, the Wikipedia page on Humpty Dumpty goes on to detail speculation that Humpty Dumpty may have actually been “a cannon used in the siege of Gloucester in 1643 during the English Civil War” made of brittle metal and used by the Royalist faction. Another possible origin is King Richard III of England,

Shakespeare’s hunchbacked Egg, the ‘Wall’ being either the name of his horse
(called ‘White Surrey’ in Shakespeare’s play) or a reference to the
supporters who deserted him. During the battle of Bosworth Field, Richard
fell off his steed and was said to have been ‘hacked into pieces.’ (Though the play depicts Richard as a hunchback, other historical
sources suggest that he was not.)

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